AKA: Goodbye to Language, Goodbye to Language 3D. Upload subtitles. Movie name #CD 1CD 2CD 3CD Uploaded Uploader; Adieu au langage (2014) Goodbye to Language (2014. It’s no exaggeration to say that Goodbye to Language demonstrates by far the most accomplished, innovative use of the medium. The film foregrounds 3D’S aesthetic dissonance rather than trying to efface it; in other words, instead of trying to replicate the look of reality, it’s only interested in playing around with the capabilities of.

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1. Goodbye To Language 3D (2014, Jean-Luc Godard)

2. Finding Fela (2014, Director: Alex Gibney)

3. The Rooftops (Algeria 2013, Merzak Allouache)

4. A Girl Walks Home Alone at Night (U.S./Iran 2014, Ana Lily Amirpour)

5. My Name Is Salt (2013, Director: Farida Pacha)

6. Papusza (Poland, 2013, Directors: Joanna Kos- Krauze, Krzysztof Krauze)

7. 52 Tuesdays (Australia, 2013, Director: Sophie Hyde)

8. Black Coal, Thin Ice (China, 2014, Director:Diao Yi'nan)

9. Rekorder (Philippines, 2013, North American premiere. Director: Mikhail Red)

10. The Wild Years (Spain, Ethiopia, 2013, North American premiere. Director: Ventura Durall)

ABOUT THE FILM

“The best 3D film I’ve ever seen.” — David Bordwell

Synopsis

Winner of the Jury Prize at the 2014 Cannes Film Festival, Goodbye to Language 3D is a sensorially immersive experience that uses 3D technology to mind-expanding effect. Starring Heloise Godet, Kamel Abdeli and the director’s own dog as Roxy, Jean-Luc Godard’s latest film is a “thrilling cinematic experience” (Manohla Dargis, The New York Times) and a “masterpiece” (Amy Taubin, Film Comment).

About the Director

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Born in Paris in 1930, Jean-Luc Godard attended school in Switzerland and later studied at the University of Paris. Godard spent much time at the film screenings of the Cinematheque Francaise, curated by Henri Langlois. It was through these screenings that he became acquainted with other young film critics who would later emerge as prominent figures in the French New Wave movement, including Francois Truffaut, Eric Rohmer and Claude Chabrol. In these screenings, Godard experienced a wide variety of films spanning the entire history of the medium. In 1951, Godard would begin writing film criticism for the highly-influential film journal, Cahiers du Cinema, founded by theorist Andre Bazin. Godard's first exploration into filmmaking came in 1953 when, while working on the construction of a dam, he shot a short documentary about the process, which would be released in 1955 as Opèration Bèton. Several other short films followed, including All the Boys Are Called Patrick (1957) and Charlotte et Son Jules (1958), featuring actor Jean-Paul Belmondo, with whom Godard would work on his first feature-length film the following year.

Godard became recognized as one of the leading figures of the French New Wave upon the release of his first feature film, Breathless. This groundbreaking film, released in 1960, paved the way for his remarkable work to follow, and made an indelible mark upon world cinema. In films such as A Woman is a Woman, Le Petit Soldat, Contempt, Two or Three Things I Know About Her and La Chinoise, Godard would continue to push formal and aesthetic boundaries while pursuing his highly personal and individual cinematic style.

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Godard’s films are also intensely political. He formed the Dziga Vertov cinema- group with Jean-Pierre Gorin in the late 1960s, influenced by the ideas of Soviet filmmakers of the 1920s, including Vertov and Sergei Eisenstein. His work during this period was also heavily influenced by his response to the events of May 1968. Godard continued to experiment technically in the 1970s, including incorporating the use of video technology into his productions, and in the 1980s, returned to the more traditional narrative format with films such as Passion, released in 1982. He continued working in the essay format as well, with King Lear (1987) being one notable example.

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Moving forward, Godard continues to explore new themes and ideas, through films such as The Old Place, In Praise of Love (which explores the four stages of love), and Notre Musique, dealing with the war in Sarajevo. Prior to Goodbye to Language 3D, Kino Lorber released Godard's Film Socialisme, which continues in the tradition of his exploration of a wide variety of important, contemporary subjects, as viewed through his uniquely personal cinematic style.